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“Million Dollar Mouth stands out as a band with impeccable taste and style.” Kat Corbet (KROQ DJ)
“This is the kind of CD you wait for as a reviewer; a secret, top-shelf bottle you might get the chance to crack first before it spreads around the party. There's something instantly but not specifically familiar about Million Dollar Mouth that grabs your ear and keeps it through the course of the disc. These guys sound like they're stylistically kicking the crap out of The Strokes while smoking Stone Temple Pilots' cigarettes and listening to the Marvelous 3. Whether or not Million Dollar Mouth is trendy (fast-rising L.A band...), there's an earnest cohesion to the music that defies attempted-hipster posturing. In his upper register, singer Mike Biscotti draws a little from crooner Jeff Buckley without defiling either Buckley's legacy or corrupting his own individuality. The lyrics are lightly self-effacing, Biscotti paints familiar emotions and situations without abusing cliché or waxing too clever. His cask-aged vocal depth and ease is instantly contagious over the Butch Walker-inspired poppy rock arrangements. The musicians don't push too hard or play too much, everyone seems to fit his role in a sort of equality that steadily promotes the songs over any one player. These guys have real potential.” Lollipop Magazine
With their third album The PanicKING, Million Dollar Mouth (MDM) refutes the myth that art and the three-and-a-half-minute pop song can’t get along. While the new record explores a more indie-rock spirit than its hard rock predecessor, Villains, it also marks a leap forward for the Los Angeles-based quintet. The tasteful melodies and no-nonsense arrangements that characterized their first two albums infuse all 11 tracks of their third release, only this time with an expanded sound—no doubt a result of the group’s artistic growth and constant gigging. Currently, MDM is hard at work in the studio on their fourth album Never Lost a Lover, their follow-up to The PanicKING which is tentatively due out in early 2010.
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